The great German reformer wrote rhyming versions of the Creed, Ten Commandments, and Lord's Prayer to wean the youth away from "love ballads and carnal songs."
The Church Laughs e-newsletter frequently brings me a chuckle. A couple of years ago the lead cartoon featured a pastor talking to his worship leader. "Okay," says the pastor to the guitar-clutching musician. "We'll do the rock service, but forget about rapping the Nicene Creed." (Oh, the challenges of "blended worship"!)
As soon as I had chuckled at the cartoon, I realized there was a historical precedent. Others had already had set the creed to rhyming, rhythmic verse, hoping to make it memorable for worshipers. Tobias Clausnitzer (1668) and Cyril V. Taylor (1941) are among the lesser known writers to attempt this. The most famous was clearly Martin Luther ("We All Believe in One True God," 1524).
Now Martin Luther didn't write rap. Rap is not just rhyme and meter. Rap is also improvisation (and therefore a vehicle for personal statement and an opportunity to show off just a bit).Yet Luther, like rappers, placed a premium on the words over the music. Among his many hymns were didactic songs that helped the people learn their faith.